






I have not been as active with my music as I used to be. It’s been bothering me. After my dad passed away last year, I got this real sense of how quickly time has passed, and while I still play my guitar every week, usually after work or on weekends. I have not written or recorded many new songs.
So, over the holidays, I decided to try recording something I had written back in 2012 but had never recorded to see if it could jump-start my interest in making music.

How do you know if a song is any good?
For me, it tends to nag at you, it tends to be the thing you noodle around when playing. I’ve played this one often, which started off with a cool little riff and a bunch of open chords. It’s called “Call Home“, and it’s about having that special person to talk to. It’s not a very long song, just over 2 minutes. So it seemed like an easy idea to get recorded.
Switching from ProTools to Ableton Live
One of the things that holds me back from recording new songs is I tend to get bogged down by the technology. I will usually encounter some issues in ProTools related to I/O routing, adding reverb, etc. and recording drums. I know these issues will eventually become less of a barrier, but for this song, I decided to try Ableton Live as my main DAW. I am switching to Ableton primarily because I had used it for creating drum tracks in the past, but would bounce those over to ProTools, and work in PT for the rest of the song. Ableton now has something called take lanes, which are basically individual recording takes of a song part on their own little tracks grouped under the main instrument track, and you can comp together a good take by borrowing from these takes, or just deleting bad takes when you are all done. it took a little getting used to, but after I got the concept, I was off to the races.
Translating what I hear in my head into a finished song
In my head, I could hear that little riff in the beginning and a simple bass drum to drive it along. I also heard a quiet Salvation Army-style horn ensemble in parts. So I set about recording the drum parts first, then adding a guitar and vocal guide track, which I would then go in and perfect, recording the guitar parts individually. I have the Gibson J200 6-string acoustic and the Guild 12-string acoustic. Bass parts were entered on the keyboard using a Native Instruments plugin (Session Bass), and there’s also a Native Instruments Wurlitzer organ quietly in the background.
The little riff in the middle didn’t really work when I left the drums doing the same rhythm from the verses. I went to bed one night thinking about this problem, and when I woke up, I remembered hearing the part with a bouncy piano and a mandolin added there. So that’s what I added next, and I think it really helped define that little section in the middle.
Very little was changed from what I had written in 2012, but when I had to print out the lyrics, I added the lines I had been singing in my head over the years. This was interesting to me. I heard Allison Moyet talking about an artist’s relationship with their material over the years and how they sing a song might change. Bob Dylan is famous for re-arranging his compositions when he plays them live, mostly out of boredom and much to the chagrin of fans. I think the line a songwriter must draw is when they make the official recording, the lyrics should be considered final. I am pleased with the finished lyrics because these lines evolved over 12 years of hearing the song in my mind.
Call Home
Call home, you don’t need a reason
Just take a look inside your mind
Call home, from a rainy cafe window
Just dreaming of you
Call home, today instead of Tuesday
I just can’t wait
Call home, you’d be my only call
Call me, ooh any time you like
or you can follow homeward
Cause I love you, it’s emotional calm
Any time is right as rain
As long as we can stay the same
I’ll be your comfort call